The English Patient Inhaltsverzeichnis
Gegen Ende des Zweiten Weltkriegs pflegt die junge kanadische Krankenschwester Hana in einem verlassenen Kloster in Italien einen am ganzen Körper verbrannten Mann. Da er sein Gedächtnis verloren hat, wird er im Lazarett nur `Der englische. Der englische Patient, wie er genannt wird, ist durch schwere Brandwunden entstellt und hat sein Gedächtnis verloren. Hana richtet sich mit ihm in einem. Der englische Patient (engl. Originaltitel: The English Patient) ist ein veröffentlichter Roman des kanadischen Schriftstellers Michael Ondaatje. Das Buch. During World War Two a badly-burned pilot, known only as 'the English patient' (Ralph Fiennes), is cared for in a Canadian military medical unit by nurse Hana. The English Patient «Italien in den letzten Tagen des Zweiten Weltkriegs: Während ihre Er vertraut sich Hana an, und in langen Rückblenden werden die.
During World War Two a badly-burned pilot, known only as 'the English patient' (Ralph Fiennes), is cared for in a Canadian military medical unit by nurse Hana. Ralph Fiennes, Juliette Binoche, Kristin Scott Thomas, Colin Firth, Naveen Andrews. Weitere Ideen zu The english patient, Der englische patient, Kristin scott. Der englische Patient, wie er genannt wird, ist durch schwere Brandwunden entstellt und hat sein Gedächtnis verloren. Hana richtet sich mit ihm in einem. Erst Hana, die warm und kindlich theme, star wars rebel staffel 3 think, ermöglicht es tv programm vox heute, mit der Menschheit erneut Verbindung aufzunehmen. Er klammert sich an die Frau, die in einen Fallschirm eingepackt ist. Kip erscheint unnahbar. Sie spritzt ihm Morphium, liest ihm was für sie eine Form von Literaturtherapie ist vor und jГјrgens freundin sich um den Garten, der sie beide ernährt. Der englische Patient engl. Hana war als Krankenschwester nach Italien gelangt und ist jetzt knapp continue reading Jahre alt. Der Dieb versucht, die https://mattekarlsson.se/gratis-stream-filme/mark-spoon.php Identität des Patienten herauszufinden - er glaubt, in ihm einen Https://mattekarlsson.se/gratis-stream-filme/mord-koblenz.php wiederzuerkennen. Er setzt die Tote ins Cockpit und will mit ihr nach Kairo fliegen, wird jedoch in seinem englischen Flugzeug von deutschen Soldaten abgeschossen. Hauptseite Themenportale Zufälliger Artikel. Der jedoch kommt über ihren Entschluss nicht hinweg und betrinkt sich beim Bankett zur Feier des erfolgreichen Ausgangs der Expedition.
Faultlessly acted and extremely enjoyable if you take the time to watch it and appreciate it. I love the interaction between the players; the subtle relationships; the period atmosphere.
Ralph Fiennes is perfectly cast as the brooding lover and Geoffrey the wronged husband is beautifully underplayed by Colin Firth.
A worthy winner of so many awards. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.
Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings.
External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. At the close of World War II, a young nurse tends to a badly-burned plane crash victim.
His past is shown in flashbacks, revealing an involvement in a fateful love affair. Director: Anthony Minghella. Writers: Michael Ondaatje novel , Anthony Minghella screenplay.
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Use the HTML below. You must be a registered user to use the IMDb rating plugin. Won 9 Oscars. Edit Cast Cast overview, first billed only: Ralph Fiennes Hana Willem Dafoe Caravaggio Kristin Scott Thomas Katharine Clifton Naveen Andrews Kip Colin Firth Geoffrey Clifton Julian Wadham Madox Jürgen Prochnow Major Muller Kevin Whately Hardy Clive Merrison Fenelon-Barnes Nino Castelnuovo D'Agostino Hichem Rostom Fouad Peter Rühring Bermann Geordie Johnson Oliver Torri Higginson Learn more More Like This.
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Please click the link below to receive your verification email. Cancel Resend Email. The English Patient Add Article. The English Patient Critics Consensus Though it suffers from excessive length and ambition, director Minghella's adaptation of the Michael Ondaatje novel is complex, powerful, and moving.
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How did you buy your ticket? View All Photos 9. Movie Info. Anthony Minghella wrote and directed this award-winning adaptation of Michael Ondaatje's novel about a doomed and tragic romance set against the backdrop of World War II.
In a field hospital in Italy, Hana Juliette Binoche , a nurse from Canada, is caring for a pilot who was horribly burned in a plane wreck; he has no identification and cannot remember his name, so he's known simply as "the English Patient," thanks to his accent.
When the hospital is forced to evacuate, Hana determines en route that the patient shouldn't be moved far due to his fragile condition, so the two are left in a monastery to be picked up later.
In time, Hana begins to piece together the patient's story from the shards of his memories; he's actually Count Laszlo Almasy Ralph Fiennes , of Hungarian nobility and an explorer working with a group mapping uncharted territory in North Africa.
Katherine and Laszlo soon fall in love, which leads Laszlo to betray his friend, his country and all that is dear to him. Meanwhile, Hana and the Patient are joined by Kip Naveen Andrews , a Sikh with a gift for defusing mines, and Caravaggio Willem Dafoe , an intelligence agent who knows some of Laszlo's most shameful secrets.
Drama, Romance. Anthony Minghella. Mar 24, Ralph Fiennes as Count Almaszy. Juliette Binoche as Hana.
Willem Dafoe as David Caravaggio. Kristin Scott Thomas as Katherine Clifton. Colin Firth as Geoffrey Clifton. Julian Wadham as Madox.
Naveen Andrews as Kip. Jürgen Prochnow as German Officer. Kevin Whately as Sgt. Clive Merrison as Fenelon-Barnes.
Nino Castelnuovo as D'Agostino. Hichem Roston as Fouad. Hichem Rostom as Fouad. Peter Ruhring as Bermann.
Geordie Johnson as Oliver. Lothaire Bluteau. Liisa Repo-Martell as Jan. Torri Higginson as Mary. Lisa Repo-Martell as Jan. Clive Morrison as Fenelon-Barnes.
Raymond Coulthard as Rupert Douglas. Philip Whitchurch as Corporal Dade, Cpl. Lee Ross as Spalding. Anthony Smee as Beach Interrogation Officer.
Matthew Ferguson as young Canadian soldier. Jason Done as kiss me soldier. Roger Morlidge as sergeant, desert train.
Simon Sherlock as private, desert train. Sebastian Schipper as interrogation room soldier. Fritz Eggert as interrogation room soldier.
Phillipa Day. Rim Turki as Aicha. Sebastian Rudolph as officer in square. Thoraya Sehill as interpreter in square.
Michael Ferguson. Sondess Belhassen as woman with baby in square. Dominic Mafham as officer, El Taj.
Gregor Truter as Corporal, El Taj. Salah Miled as Bedouin doctor. Abdellatif Hamrouni as ancient arab. Samy Azaiez as Kamal.
Habib Chetoui as Al Auf. Philipa Day as Officer's Wife. Phillipa Bay as officer's wife. Amanda Walker as Lady Hampton.
Paul Kant as Sir Ronnie Hampton. Lusa Repo-Martell.The plane he claims to be his own was appropriated by the Crown, and he leaves his wife with the other expedition members while on his mission, leading to her infidelity. Download as PDF Https://mattekarlsson.se/filme-stream-kinox/the-walking-dead-staffel-5-news.php version. John Mandel soared to critical acclaim check this out bestseller lists in with her novel Station Eleven, about the collapse of civilization aft However, Hana believes that the fact that the ruined state of villa, an Italian monastery turned a war hospital, works click here their advantage. Clive Morrison as Fenelon-Barnes.
The English Patient VideoOut Of Africa
Hana is attracted to "Kip" and he to her, unusual for the time. Kip was trained in London and followed the war to Italy. Though the man has second thoughts about what he's doing here, many miles away from colonial ruled India, his home.
Is duty to the British or his family, and an independent Indian nation they all, the inhabitants want, struggle for, even die for, while an older brother is in jail for opposing the British there, and Kip feeling like a traitor to the people.
The unknown Count, was an explorer and cartographer in the vast Sahara Desert, with a few others in 's.
He tells the story of his affair with Katharine, a woman married to his good friend, Geoffrey Clifton, tragic events happen as a consequence of this uncomfortable episode.
The noteworthy book keeps a reader interested to the conclusion , with two intense love affairs set in different locations in quite unique circumstances.
For anyone that likes a great story unfolding slowly, a splendid narrative too, best for those readers of the less traveled roads, in no hurry to reach the end and just enjoy the view.
Few books are felt as much as read, but The English Patient falls into this category. Like the film, it is hauntingly beautiful, but for slightly different reasons.
The story of people haunted by love and war, their damaged souls converging at a villa in Italy, remains, but the focus and method in which the story is told on paper is filled with poetic passages, and stunning beauty.
The passages are like water moving to and fro over rocks, shifting back and forth in time so that the beauty beneath Few books are felt as much as read, but The English Patient falls into this category.
The passages are like water moving to and fro over rocks, shifting back and forth in time so that the beauty beneath can still be seen, but as a shimmering mirage in the desert.
It is a strange instance where it is almost recommended that you see the film first in order to appreciate more clearly in your mind the characters as their stories unfold.
Whereas the film focused more on the burned Almasy and his memories of the unending African desert, where he would meet the enigmatic and beautiful Katherine Clifton, sealing the fate which would leave him a charred and hollow shell of his former self, Hanah is the focal point of Ondaatje's lovely poetic prose in the novel.
You can almost feel the ghosts hovering over each character as Ondaatje paints a masterpiece with words rather than a brush.
Deeply romantic and lyrical, it is the same story as told in the film, but a more impressionistic and less linear portrait of love and loss.
The book is like a delicate flower just beneath the water's surface, its beauty evident but achingly kept just out of reach.
The film brought the flower into the sun so we could enjoy its texture and fragrance in more visceral fashion.
Both are magnificent, just a different picture of the same flower. If you loved the film, you must read the book.
It is a hauntingly beautiful novel different from anything else you'll ever read. Literary fiction can often be dry and unrewarding, a lot of beautiful words and lovely phrases meant to impress us, but all too often leaving us cold and disinterested.
Such is not the case here. This is a perfect storm of prose and story achieved only once by Ondaatje.
A masterwork of rich and evocative prose that will surely touch the heart, an organ of fire. View all 23 comments. Shelves: novels , cant-remember-well-enough-to-review.
Everyone hates at least one classic. The nameless English patient is a burned invalid who unites the other characters—his worn out nurse, Hana; the ma Everyone hates at least one classic.
I finished it, complaining about the dialogue and the prose, but I knew it was the sea horse penis line tainting my opinion.
I still remember this description almost a decade later and it still bothers me. Is that fair? One star. View all 27 comments. Jan 30, Margot Jennifer rated it it was amazing.
The English Patient is an illuminating novel written by Michael Ondaatje, who tells the story of four damaged lives tangled together at the end of World War II.
The story involves characters like: the melancholy, childlike nurse Hana; the emotionally and physically maimed thief, Caravaggio; the pensive and wary Indian bomb-disposal expert, Kip; and the burnt and broken English patient, a mysterious wounded soul without a name.
The story revolves around several major themes such as: war and the p The English Patient is an illuminating novel written by Michael Ondaatje, who tells the story of four damaged lives tangled together at the end of World War II.
The story revolves around several major themes such as: war and the paradigm shift that takes place as cultures and people recover from such; love and the depths one will go to to acquire it; and the illusive but essential search for self-identity.
The themes stretch across all aspects of human nature, but it is the development of self that receives the most attention.
Ondaatje brings you into a transformative exploration of identity through multiple layering of meaning in each description.
The author does this by drawing you far into the fantasy by luscious, sensuous elucidations. This book is not merely a thing to be read on an intellectual level.
The book is to be sensed and physically processed, as you filter through smokey comprehension and hazy daydreams. The book is a web of memories, and if you are expecting a linear story, you may be discouraged by the nonconformity to typical plot lines.
The book weaves back and forth as memories reveal themselves into a tapestry of dream-like narratives.
The web of narrative is displayed much like how Hana reads to her patient from the books she tiptoes out of the library.
She opens randomly to any page and begins reading. The plots of the stories are irrelevant to Hana and the English patient.
The relevance for them lies in the moment, in the singular experiences that combine to make up the whole.
The English Patient should be read on this level. You may not completely understand what the book is about until you are done reading it, and even then the story changes and evolves as your own identity transforms.
Very few books take you through this kind of self-discovery and leave you with a new awareness of the corporeal.
The book is a sensual journey that must be taken step by step, yet it is without a beginning or an ending point. And what is the message?
For many it is the examination of self through poetically saturated text that the author employs to evoke personal discovery.
The book brings up many questions to its watery surface for you to find answers to. For most of the narration you have no idea who this burned shadow of a man is.
He seems to be a reminder of desperation and betrayal, pain and lost love, but this is not the story the author wants you to focus on.
The English patient is merely a catalyst for the other characters, and you as well, to discover identity. Without him, the others would never have been able to interlace their stories and find understanding and comfort in each other.
This is a novel of revelation, and just as the identity of the English patient is slowly revealed as the novel progresses, so too are the inner selves and spiritual identities of the other characters in the novels.
Every sentence is beautifully crafted and evocative, keeping you completely enthralled in the story. The story reaches across all boundaries of time and space to connect with people from all walks of life.
Each of us who reads the story as the author intended, will find many connections with the story and its characters.
From this location, all other places in the story are visited through memories and often painful recollections. Hana cares for both herself and her patient by keeping a simple garden and trading medical supplies for their other physical needs.
For their intellectual needs she reads passages from odd books found in the possibly mined library. Throughout the story, Hana represents the scarred, insecure child in each of us; afraid to move beyond our sphere of comfort, but whimsical and playful within it.
Hana cares for her patient as a substitute for how she would like to be cared for. She wants desperately to be wrapped and held and whispered to, and she does this vicariously through her patient, caring for him like he was a small frightened child in need of comfort.
Yet, the English patient does not need this kind of comfort from Hana. The English patient no longer needs solace from others.
He represents the resolve that the broken and tired have, who no longer have a choice in what they are given, and who can accept the circumstances without challenging them.
The friend is Caravaggio, a thief and a morphine addict. The confused and wounded Caravaggio comes to find Hana as he looks for ties to the past and clues to his confused identity.
The thief typifies most of us, who are somehow maimed whether physically or emotionally, who need to piece back the severed parts of our identities to make a new whole.
Finally they are joined by Kip, the diviner, never looking at what is in front of his eyes, always searching through the layers beneath.
He is afraid of connection and of loss. He is constantly aware of the dangers around him and therefore cannot appreciate the simple pleasures and safety nets of relationships.
Many who have been afflicted with great loss and insecurity can identify with this character. The book is an examination of the nature of identity.
Who are we when our world is torn apart? Who are we when our names are taken from us? Who are we when we no longer can be identified by our physical characteristics?
Are we what other people make of us? It will change your self-perception and gives charge to electrical pulses of discovery as you allow it to guide the form of your ever-changing identity.
View all 8 comments. I would say that I enjoyed it, but I can't say that it is one that will stay with me, nor one I will keep and choose to reread.
There is a lot of flicking between past and present, and between different characters with no way of defining when this happens.
This meant I found the narrative rather disjointed and at times confusing. Hanna is a nurse, chosen to stay behind at the hospital where she worked once WW2 is "I'll be looking at the moon, but I'll be seeing you.
Hanna is a nurse, chosen to stay behind at the hospital where she worked once WW2 is over and everyone else has moved on.
With her is the English Patient, a man with severe burns to his entire body. We also meet 2 others who come to stay with them in their makeshift house.
I enjoyed the characters, and their complex personalities. We get to learn background on each of them, what they went through during the war and how they are dealing with the aftermath.
But the constant jumping between the narrative meant I couldn't get fully invested in the story. But you have to consider that somebody made it.
View all 7 comments. MC, maybe?! I mean where else can I give an immobile man sponge baths, inject him with morphine AND play hopscotch in darkened hallways?
Hana: Well, I am a woman surrounded by men, need I say more?? Hana: Nope. Just accept it. He sounds really fascinating and kind, in a quiet withheld way.
Hana: I just really enjoy his silence, and the way he can enter a room and take up next to no space in it. Also his skin is brown like darkness, I like it.
This is why you became lovers? Hana: No, he was kind of just there, I guess. Hana: Oh, he was burned all over in a plane crash so it turned his skin dark.
Me: What does that even Hana: No, not really. My sort-of-sexually-attracted-to-me Uncle is far more interested in his story.
Me: Okay then. What is the point of this story exactly? Hana: What do you mean "point"?? Did I mention his skin is darker than mine?
Me: Neither do I. View all comments. Michael Ondaatje repeats a line it appears on pages and of my edition that I want to wrap myself up in and think about, write about, dream about, cry over, taste, drink in: ' If he could just walk the seven yards across the Englishman's room and touch her he would be sane.
I want to ask Ondaatje why. Why this moment. Why this line. Then again, I don't. Because I want to live in my belief that this line is the soul of the book.
This line is the soul of storytelling. If he could just. If he could just walk. What follows after the second iteration of the line is this, 'But between them lay a treacherous and complex journey.
It was a very wide world'. You see? The entire book, the plot, its themes, everything you could need to change your life is right there.
Page Just across the room. Where candlelight shines on the face of a young woman with an old soul. Why can't you walk those seven yards?
Why can't you touch her? What is the madness in your soul, where has it come from, and why do you resist being healed by that young woman with the candlelight in her eyes?
This book. View all 16 comments. Mar 24, Jason Koivu rated it it was amazing Shelves: war , historical-fiction , fiction.
This feels like a classic piece of literature, one of those core foundation books taught in American Lit classes at liberal arts colleges.
Perhaps it's because of all the classical references Michael Ondaatje places in the mouths of his character the English patient.
Perhaps it is in the storytelling, concerning itself with the cerebral and almost entirely devoid of action except in the backstories.
The poetic choice of words themselves may be the cause. Perhaps it's the World War II Italian cou This feels like a classic piece of literature, one of those core foundation books taught in American Lit classes at liberal arts colleges.
I don't know. I stopped trying to know long before I finished The English Patient. I just let those words wash over me like a bath for the mind.
Though I think this is a brilliant novel, I wasn't entirely blown away. It drags in places and is a tad too self-consciously literary for my tastes these days.
And yet, despite these personal taste flaws, I still have to give this five stars. It's too good to be lumped into with the sea of four star books I've read, many of which are quite good, but few of which attain the unearthly feeling one gets when reading The English Patient.
View all 6 comments. Sep 09, Jaline rated it it was amazing Shelves: xxcompleted , x-favourites. Whether the river of creativity expresses for an individual through the medium of words, of music, of putting together plumbing pipes, of performing intricate surgery or dance steps; no matter the form of individual creativity, music can help a person to focus, to rejuvenate, to resuscitate.
I was fortunate enough to attend a concert featuring Stephane Grappelli with my music agent. Two and a half miles an hour. If lucky he would come upon ostrich eggs.
If unlucky, a sandstorm would erase everything. He walked for three days without any food. May God make safety your companion, Madox had said.
A wave. There is God only in the desert, he wanted to acknowledge that now. Outside of this there was just trade and power, money and war.
Financial and military despots shaped the world. After that point, analysis takes place, chess pieces are sometimes taken through a re-run of a particular move.
When all the cogitating is done, the pieces remaining on the board still need to go home. This novel is romantic in two senses. It does have love stories within it.
However, it also follows the romanticism sensibilities of individualism, strong emotion, and exploring the past with eyes that have one lens in idealism and one lens firmly grounded in bitter reality.
Some of the characters in the book find the point of convergence between these two areas on the spectrum and that all of this takes place in under pages astounds me.
The story in this novel is heart-rending and it is also laced with hope. It also won the Golden Man Booker prize this year.
The prizes are well deserved and I hope this novel continues to be read and enjoyed for many years to come.
I also hope that it is digested and that it will serve as a cautionary tale for future generations. Feb 18, Violet wells rated it it was amazing Shelves: historical-fiction , booker , faves , italy , world-war-two.
For this is a beautiful, artfully crafted novel about the mapping of identity within borders, set before and during World war two when borders were in continual flux and territorial conquest and possession were the name of the game.
Ondaatje continually brings back the narrative to memory, the most secret and probably defining element of self and thus continually shows us how shifting are the borders of self.
Nationality, another form of mapping identity, especially in wartime, is another prevailing theme of the novel.
Kip, as an Indian sapper in the British army, straddles another drawn line. Nevertheless he will always feel excluded, as if detained by customs.
Love, not nationality, will provide him with his most vivid sense of self — undone ultimately by another impersonal act of history.
A contrast between the conventional narrative of history with its battles and leaders and shifting allegiances and personal history made up of secret epiphanies and tragedies of timing.
May 20, Wen rated it it was amazing. It just felt the right time to do the long-overdue catchup on his best-known book. I pretty much finished in one sitting, and was totally blown away.
The English Patient has easily found itself a spot there. The book gave more ink to the love story between Hana and Kip; it was more quiescent and evolving than the dramatic revelation between Almasy and Katharine.
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The English Patient by Michael Ondaatje. United States   United Kingdom . English German Italian Arabic. Best Picture. Best Actress in a Supporting Role.
Best Art Direction. Best Cinematography. Best Costume Design. Best Director. Best Film Editing. Best Original Dramatic Score. See The English Patient soundtrack.
Best Sound. Best Actor in a Leading Role. Best Actress in a Leading Role. Best Motion Picture — Drama. Best Original Score.
Best Actor in a Motion Picture — Drama. Best Actress in a Motion Picture — Drama. Best Supporting Actress — Motion Picture.
Best Screenplay. Best Editing. Best Performance by an Actress in a Supporting Role. Best Screenplay — Adapted. Best Music.
Best Direction. Best Production Design. Silver Bear for Best Actress. AFI's Years BFI Top British films.
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If Minghella's debut feature Truly, Madly, Deeply was overrated -- a Ghost for the NW3 set -- this movie is a quantum leap towards cinema's potential for magic.
Nigel Andrews. You can take your brain to The English Patient and you will not be insulted. Your eyes will not be offended either.
This scarcely makes Minghella's film the best in the world; it just makes it loom large. Geoff Brown. Its wit, sophistication and artistry never are at odds with the fundamental pull of a powerful love story that out-Zhivagos Doctor Zhivago because it respects love's mysteries, admits it doesn't know the heart's boundaries.
Jay Carr. Relentlessly beautiful, but not quite stupifyingly so. Adam Mars-Jones. And it took a filmmaker with Minghella's talent to pull it off.
Jeff Strickler. Could this possibly be the Casablanca of the late 20th century? Jeff Shannon. Whenever the movie's design seems too elaborate, too remote, it's the rare detail of these performances that redeems it.
Mark Steyn. Minghella doesn't so much adapt the novel as he translates it wondrously to a different medium, with its mysteries and passions intact.
Dennis King. Malcolm Johnson. Its performances are finely crafted with loving care. Sky Staff. This is a radical adaptation which transposes, re-assembles and deletes key elements of the novel to achieve a pure cinematic reinvent ion that is admirably adroit - and as distinctive a work of art as the book remains in its own right.
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Cancel Resend Email. The English Patient Add Article. The English Patient Critics Consensus Though it suffers from excessive length and ambition, director Minghella's adaptation of the Michael Ondaatje novel is complex, powerful, and moving.
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How did you buy your ticket?How do you stop the nightmares? In the movie staffel 12 dvd David did not know Hana before hand and was going to find Almasy to punish. Can I please get support in the racism of Hana? Best Art Direction. Hana escapes reality simply by stalling in taking care of the patient, rearranging her set up inside the defaulting villa, listening to what the Almasy has to more info or the stories he tells, and by reading books to him over and over. Doom is the clincher But once that small hurdle has been removed, I'll be off.
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